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International Theatre Engineering and Architecture Conference 2014

Dec 26, 2014

ITEAC 2014 Early Bird Registration Opens & discounts for ABTT, Partner Organisation and OISTAT members!!
The INTERNATIONAL THEATRE ENGINEERING AND ARCHITECTURE CONFERENCE 2014 formally opened bookings for the June event this week.

ITEAC 2014: The Future of Performance Spaces – The People, The Places, The Technologies, has recorded its highest pre-registered delegate interest in the Conference’s history and has been inundated with ideas for papers & content from those interested in contributing from around the world.

The opening Delegate Rate has been held at 2010 prices for those registering early for ITEAC 2014. Further discounts are available to members of OISTAT (International Organisation of Scenographers, Theatre Architects and Technicians), the ABTT (Association of British Theatre Technicians) membership and members of its Partner Organisations.

Developing themes for the fourth three-day quadrennial conference, being held at the University of London’s Senate House, 8-10 June 2014, include:
• The changing nature of performance and its needs
• Small scale low budget start up spaces
• Broadcasting, wallcasting
• Projection and imagery
• The opera house of the future
• Evolving standards in theatre engineering
• Power flying and stage floors – appropriate levels of technology?
• Questions for the next decade

This fourth three-day quadrennial conference has recorded its HIGHEST PRE-REGISTERED DELEGATE INTEREST so if you specify, design, equip, manage, programme or operate performance spaces, please confirm your place now

The ITEAC 2014 Editorial Board has set-out themes that allow detailed investigations in to: the rapid changes taking place within performance spaces; the effects of developing audience expectations; the opportunities provided by the availability of new technologies and the demands made by new and more flexible programming.

The Conference Programme will also examine how performance spaces and the technologies within them will need to adapt in the near and longer-term future, to suit an ever changing audience and the developing demands of a live performance.

Full details will be announced shortly – follow us on Twitter for the latest news.